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BBC’s Sherlock returns for 4th Season and 2015 Special – The game is afoot!

Sherlock BBC Benedict CumberbatchWe can’t get enough of Benedict Cumberbatch and the BBC‘s ‪‎Sherlock, fortunately the Beeb have announced they are to return with filming of a 2015 Special beginning next January and then another 3 episode fourth season later in the year to hit our screens in 2016. The dripfeed of tantalising information began last Tuesday with a BBC One tweet:

Sherlock BBC hashtag 221back facebook Of course the hashtags, #221back and #Sherlock, gave it away but talk about teasing foreplay and dangling this before us and yet making us wait over a year. It is because both the actors and writers are so good that they are in such demand elsewhere too. Cumberbatch on Star Trek, Martin Freeman on Fargo and both of them in The Hobbit. Then at precisely 2:21pm GMT, simultaneously in the UK and US, the BBC announced, and serially re-announced, the news formally, again via the trending ‪#‎221back‬ hashtag:

The new series will be “deeper and darker” than before, and Moriarty could be back. Steven Moffat hinted that “the very next thing to happen to Sherlock and John, is the very last thing you’d expect.”

And so “the game is on” – again!

What has become a catchphrase of Sherlock, “the game is on”, is an update to “the game is afoot” which was originally uttered in just one Sherlock story, The adventure of the Abbey Grange:

“It was on a bitterly cold and frosty morning during the winter of ’97 that I was awakened by a tugging at my shoulder. It was Holmes. The candle in his hand shone upon his eager, stooping face and told me at a glance that something was amiss. ‘Come, Watson, come!’ he cried. ‘The game is afoot. Not a word! Into your clothes and come!’ Ten minutes later we were both in a cab and rattling through the silent streets on our way to Charing Cross Station.”

“The game is afoot” was not an original Conan Doyle inspiration but rather a phrase borrowed from that other English master craftsman, Shakespeare, some 300 years earlier. It first appears in a Shakespearian play, spoken by the Earl of Northumberland, in Henry IV, Part 1, Act 1, Scene 3:

“Before the game is afoot, thou still let’st slip.”

It also appears in the famous speech of King Henry beginning, “Once more unto the breach, dear friends…” and ending:

“I see you stand like greyhounds in the slips, Straining upon the start. The game’s afoot: Follow your spirit, and upon this charge Cry ‘God for Harry, England, and Saint George!'” (Henry V, Act 3, Scene 1

Appeal of Sherlock Holmes

Many people, especially women, find intelligence attractive – “brainy is the new sexy”, but self-confessed cold aloofness and detachment?

Sherlock BBC Benedict Cumberbatch Brainy is the new sexySo why the appeal of Sherlock with his narcissistic superior personality not to mention narcotic escapism on the side. Just why is Sherlock so addictive? Is it that we too are escapist fantasists wishing for an attachment with someone so detached, or do we want to be him, as intelligent and as apparently not needy? Although, it is clear from his weaknesses for drugs and Dr Watson, that he is, however idealised, still far from emotional self-sufficiency.

“My life is spent in one long effort to escape from the commonplaces of existence.” – Sherlock Holmes

It’s not as if Sherlock is great marrying material, given his views on the subject:

“Let’s talk about…murder. Did I say murder? I meant to say marriage. But, you know, they’re quite similar procedures when you think about it. The participants tend to know each other, it’s over when one of them’s dead. In fairness, murder is a lot quicker though.” – Sherlock, BBC

Sherlock himself was not one for emotional attachment, as the modern Sherlock says, “Sentiment is a chemical defect found in the losing side”, but his one weakness was for Irene Adler, whom Conan Doyle describes thus:

“To Sherlock Holmes she is always the woman. I have seldom heard him mention her under any other name. In his eyes she eclipses and predominates the whole of her sex. It was not that he felt any emotion akin to love for Irene Adler. All emotions, and that one particularly, were abhorrent to his cold, precise but admirably balanced mind. He was, I take it, the most perfect reasoning and observing machine that the world has seen…. And yet there was but one woman to him, and that woman was the late Irene Adler, of dubious and questionable memory.” – The Adventures of Sherlock Holmes

Holmes Paget 1903 The Empty House - The Return of Sherlock Holmes
Holmes and Watson in the The Empty House – The Return of Sherlock Holmes, illustrated by Sidney Paget, 1903

I’ve loved Sherlock ever since reading all 60 stories – published over a 40 year period, aged 15, and writing my English OA level special paper on him. I love his intelligence, but not his supposed rational avoidance of emotion for it is clear he loves Watson, not to mention the allusions to attraction and love for Irene Adler.

Elementary my dear Watson

Whilst the US adaptation of the Sherlock brand, the TV series Elementary (Season 1 – 2012, 2 – 2013/14 and Season 3 announced), has been running nearly as long, it takes a different road. Sherlock, played by Jonny Lee Miller, gains the first female crime-busting sidekick with Lucy Liu as Dr Joan Watson – Sherlock’s sobriety companion, a form of addiction counsellor. Sherlock in this is more gritty, troubled, emotional – indeed more human, but no less intelligent despite essentially being in rehab.

It would be a massive SPOILER ALERT for watchers of the US series to reveal the clever twist in just who Moriarty may be. More details, if you already know, or don’t care, on the Wiki list of Moriarty portrayals.

Whilst Elementary is quite different, both play upon the original stories and cleverly leave us guessing as to how they will interweave Victorian plots and book references whilst remaining gripping narrative arcs with surprise twists. That said, Elementary drifts ever further from the originals and seems to exhibit little loyalty to the originals, not that Moffat and Gatiss are renowned for traditional faithfulness either, especially with the way they’ve reinvented Doctor Who – albeit, in my opinion successfully and brilliantly.

Holmes, House and 221B

Although, contextually further away from the criminal detection, the American series House, again with a British actor playing the lead, transposes Holmes and to a lesser extent Watson, to a medical milieu. In many ways, it has been argued, the series is more faithful to the character of Holmes whilst straying almost completely from the plots. In this case it is Dr Gregory House, played by Hugh Laurie with his medical friend Dr James Wilson, same initials as Dr J Watson. They both live at 221B’s, House actually on Baker Street. Their first patient is named Rebecca Adler and later a reference is made to another patient, Irene Adler.

Modern Film Interpretations

Sherlock Holmes theatrical release poster WikiSherlock Holmes has also been brought back to the big screen, so that we have three adaptations of him running simultaneously, along with the BBC version and US Elementary. In 2009, Guy Ritchie directed the first instalment of a British–American film series, produced by Joel Silver. It was more than sufficiently successful to  merit a sequel, Sherlock Holmes: A Game of Shadows, coming out for Christmas 2011.  A third film announced that year by Warner Bros is still, according to Jude Law in 2013, at scripting stage. Robert Downey Jr played a believably narcissistic Holmes to Law’s suave updated, rather than bumbling, Watson. Whilst the films were more action based than the originals, they have been updated for our times, just like the TV series, but with bigger budgets.

David Stratton, writing in The Australian, in a piece calledThe Swinging Detective disliked the first film’s Indiana Jones-styled interpretation of the original stories concluding, “The makers of this film are mainly interested in action; that, they believe, is all that gets young audiences into cinemas today. They may be right, but they have ridden roughshod over one of literature’s greatest creations in the process.” The fact that there are literally dozens of versions, though, and that each may drive young readers back to the books, is surely a good thing. Just like stage plays and films of Shakespeare one can go for authenticity or adaptation, if not reinvention, it does not diminish the original, rather it shows how versatile and enduring the stories are.

Actors who’ve played Sherlock Holmes

Basil Rathbone Sherlock Holmes
Basil Rathbone as Sherlock Holmes

Holmes is the most portrayed character in movies, of all time, with some 70+ actors playing him. Of all his portrayals, though, I’ve always loved the classic Basil Rathbone on TV and the sharper, perhaps less likeable, Jeremy Brett. Probably the worst, for me, at least, were Charlton Heston, Roy Hudd, Roger Moore and Edward Woodward – not that I didn’t like these actors in other roles, the latter in Callan, for instance.

On radio, a medium quite well suited to the stories, I loved Clive Merrison, the only actor to cover every story and thus the entire canon of Sherlock Holmes. Carleton Hobbs managed 56 of the stories in 80 radio productions. In the war years, Sir John Gielgud performed several radio versions.

The updated television versions make extensive use of visual demonstrations of Holmes’ thought processes, not to mention texting and phone technology, an advantage of television over radio, which lends itself to modernisation rather than authenticity. It may surprise you to know that John Cleese played Sherlock Holmes in a 1977 comedy spoof The Strange Case of the End of Civilization as We Know It. Other unlikely actors included Larry Hagman of Dallas fame playing him in another comedy drama made for television movie as a motorcycle cop who after an accident believed himself to be Sherlock Holmes. Peter Cook and Dudley Moore also paired up in a comic version.

More seriously, Leonard Nimoy, perhaps as the emotionless Spock well suited to the role, played Sherlock on stage for the Royal Shakespeare Company (RSC).

A Growing Audience

It is to be hoped that modern reworkings of Sherlock Holmes in Sherlock, Elementary and the film franchise will create a new young audience for Conan Doyle’s character and send them back to books to marvel at Victorian penmanship.

Sherlock’s Facebook page has 3.7m likes and no doubt after 10 million Brits watched him rise from the dead, that figure will just rise and rise again.

Sherlock BBC 221back facebook

 

[An earlier version of this article first appeared here]

Image credits:

BBC public domain facebook image of Martin Freeman and Benedict Cumberbatch in Sherlock   BBC public domain facebook image of Martin Freeman and Benedict Cumberbatch in Sherlock BBC public domain facebook image of Benedict Cumberbatch as Sherlock Holmes WikiMedia Commons

RIP Rik Mayall aka (P)Rick of the Young Ones, Comic Strip, New Statesman, Blackadder…, 1958-2014

“This house will become a shrine, and punks and skins and rastas will all gather round and hold their hands in sorrow for their fallen leader. And all the grown-ups will say: “But why are the kids crying?” And the kids will say: “Haven’t you heard? Rik is deadThe People’s Poet is dead!”” – The Young Ones  
 

“Bum”, I mean “Bottom“, Rik Mayall has died a Young One at just 56, the B’stard. The near-30 year married family man was a comedy genius and genuine talent. He will be sorely missed and was working right up to the sudden end, despite his own near-death experience on a quad bike back in 1998 that left him in a coma for days and with epilepsy. Ironically, his most recent project was a Lupus Films/Channel 4 animated comedy about the joys of being dead – “Don’t Fear Death“!

Death “is your passport to complete and utter freedom. No pulse, no responsibilities. Carpe mortem – seize death”

Mayall and Ade Edmondson were contemporaries at Manchester University – where they also met writing partner Ben Elton, and performed together as 20th Century Coyote, their first performance was an improv called “Dead Funny“. As members dropped (not dead) off, the comedy group became a duo, renamed to The Dangerous Brothers, and shifted to London’s Comedy Store, where Alexei Sayle compered. Later they started their own comedy club, The Comic Strip Club, which ran out of Soho porn baron Paul Raymond’s Revue Bar, whilst conventional adult strip acts performed on the other two stages. This is also where they met Dawn French and Jennifer Saunders, who Edmondson later married in 1985.

Comic Strip Presents Complete CollectionTogether they formed the TV series “The Comic Strip Presents…” which ran from 1982, 5 years before French and Saunders aired as a separate series. Their first episode was a parody of Enid Blyton’s Famous Five adventures as “Five Go Mad in Dorset“.

In 1981 Mayall played “Rest Home” Ricky in Richard O’Brien’s Rocky Horror Picture Show follow up musical film: “Shock Treatment“. Curiously, Rik has managed to play a Rick, a Ricky and also a Richie, aka Richard Rich in Filthy Rich & Catflap (1986).

In 1991 he got to play a Fred, the eponymous mischievous imaginary friend in the film “Drop Dead Fred“. He also squeezed in a Micky in “Eat the Rich” (1987), a Mathias in “Little Noises” (1991), a Marty in “Bring me the Head of Mavis Davis” (1997) and a Mario in “Eldorado” (2012). Not to mention the voice of Prince Froglip in “The Princess and the Goblin” (1991) and Mr Toad in “The Wind in the Willows” (1995).

Another animated character he played was was the voice of Kehaar in the series version of “Watership Down” (1999) and Edwin the Eagle in the spellbinding “Shoebox Zoo” (2004-5). He also played an unnamed man in the pub in “An American Werewolf in London” (1981). In 2000 he managed to play character opposites Robin Hood in “Blackadder: Back & Forth” and King Herod in “Jesus Christ Superstar“!

Rik Mayall as Rick in The Young Ones
Rik Mayall as Rick in The Young Ones

The Young Ones first aired in 1982, the BBC was not entirely convinced, but went ahead to compete with the emerging popularity of Channel 4. Spike Milligan, commenting on Mayall’s farting, nose-picking “Rick”, described him as the “arsehole of British comedy”. (Quoted in McSmith, Andy, No Such Thing As Society: A History of Britain in the 1980s, Constable & Robinson, p149)

Until then most successful comedians and comedy writers had emerged from establishment universities like Oxford and especially Cambridge. Richard Curtis and Rowan Atkinson stemmed from Oxford, whilst Cambridge and its Footlights Theatre produced talent that went on to make Monty Python, The Goodies, Yes Minister, Bremner, Bird and Fortune, Alas Smith and Jones, Fry and Laurie, Newman and Baddiel, Punt and Dennis, and more recent acts like Mitchell and Webb, Armstrong and Miller, Mel and Sue.

Rik portrayed the crude, pompous poet, anti-establishment anarchist and redbrick university sociology student, “Rick” with great energy and voracious vulgarity. In the “Bambi” episode, somehow the four students end up on University Challenge, appropriately competing against Footlights College.

Young Ones Bambi Prick Wiki
The Young Ones “Bambi” episode

On the show Rick’s namecard has a scrawled ‘P’ added to it and Vyvyan jokes that his name has a silent ‘P’ before it. In the same episode Neil reads out graffiti from Rick’s ‘O’ Level History text book – “Prick is a wonker – signed, the rest of the class”, although Rick dismisses this as classroom banter until Neil then reads out a further scribble – “I agree with the rest of the class – signed teacher”.

“I live on the limit, Vyvyan. The limit, because I’m a rider at the gates of dawn and I take no prisoners!” – Rick in The Young Ones

For all his character’s pseudo-anarchy Rick seemed to have a conservative background and was a Cliff Richard fan. He didn’t seem to know much about the politics he claimed to believe in and was a lazy socialist, in terms of political theory.

“If you’re a wild eyed loner at the gates of oblivion then hitch a ride with us, because we are riding on the last freedom moped out of nowhere and we haven’t even told our parents what time we are coming home…” from the introduction by Rick to Cliff Richard’s “Living Doll” for Comic Relief  (1.5m views)

 

It was no surprise when Rik evolved Rick into slimy sleazy scheming Conservative politician Alan B’Stard in The New Statesman, which ran on ITV from 1987 to 1992 for 4 series. I completely forgot that Vyv’s surname was also Basterd in the Young Ones.

New Statesman DVD

Rik Mayall also reprised Alan B’Stard MP, or rather PM, in a political advertising campaign by the No2AV group in 2011. Parodying David Cameron and Nick Clegg entering into coalition and office together he promised no tax or tuition fees, free housing and electricity, and then gleefully burnt the manifesto and its promises.

“You know the really great thing about a fudged coalition is that neither of us need to carry out a single promise of our election manifestos.”

Rather than The People’s Poet, the People’s Prophet, perhaps?

 

At the same time as the New Stateman was airing Rik also popped up in Blackadder II and Blackadder Goes Forth, playing the loud lecherous bragging Lord Flashheart.  In 2006 he returned to the nobility as Lord Reginald in “SpongeBob SquarePants” (2006).

Whilst Flashheart was crude in an upper class slimy sexist way, Rik returned to the gutters again for “Bottom” (1991-1995). Mostly containing scenes of frying pan bashing and slapstick violence akin to classic Laurel and Hardy or old Warner Bros cartoons. For all its base comedy, Rik and Ade had acted together in Waiting for Godot in 1991 and created Bottom as a crude take on the play. The characters, again a Richie, Richard “Richie” Richard, and Edmonson playing flatmate Eddie Elizabeth Hitler, went on to appear in four series, a film “Guest House Paradiso” (1999) playing Richard Twat, and a touring stage show – “Bottom: Live“, which left them in hospital, on occasion! Bottom last toured in 2003 but the 1997 stage version, “Bottom Live 3: Hooligan’s Island” nearly made it back to our screens in 2013, but was cancelled due to competing projects that Ade Edmondson wanted to pursue.

One of my favourite banal Bottom scenes from Season 2 Episode 2, bemoaning what to do in the absence of television…

Richie: What about “Pin the Tail on the Donkey”?
Eddie: We haven’t got a donkey.
Richie: Well, “Pin the Tail on the Chicken”
Eddie: We haven’t got a tail.
Richie: Oh. Well, “Pin the Sausage on the Chicken”?
Eddie: We haven’t got a chicken.
Richie: (Annoyed) Well, “Pin the Sausage on the Fridge”.
Eddie: Or a pin.
Richie: (Angrier) “Sellotape a Sausage to the Fridge”!
Eddie: We haven’t got a sausage!
Richie: (shouting) “Put a Bit of Sellotape on the Fridge”!
Eddie: (Beat) It’s not much of a game, is it?
[Richie and Eddie have just played stick a piece of sellotape on the fridge. Eddie won]
Eddie: Who won?
Richie: Ha ha ha ha. Eddie, it matters not who won or lost, but how you play the game.
Eddie: Oh, you mean I won? Ha! Ha-ha. [wets his finger, draws a figure 1 in the air, waves his hands in the air]
Richie: Yes, I suppose so, yeah, I mean if it’s so important to you, yes. Yes, you did win. I mean for Heaven’s sake, Eddie, it’s only a game! [walking away, to himself] Shit, shit

 

Waiting for Godot, was not his only conventional acting role, he also made a “brilliant debut” as Ivan in Gogol’s The Government Inspector at the Olivier Theatre in 1985. Indeed, The Telegraph ran an article back in April this year on the 2012 film Eldorado, “the worst film ever made…weapons-grade awful”, in which Mayall played a Verdi-singing, cannibalistic chef, Mario – in contrast to the dire film, his scene stood out as “fairly watchable”!

During the 2000s Mayall was marketed by Playstation on games and ads, to be seen as more “edgy” over Sega‘s success. The money he made from this bought him a house which he jokingly named “Nintendo Towers“.

Such a shame, that like Faulty Towers there were just 12 episodes of the Young Ones, a 1980s classic “sign of the times” series – it always felt like there were many more, I wish there were, and now there won’t be a comeback series as The Old Ones, perhaps “only the good die young”. The Young Ones page on Facebook has nearly a million likes.

Ade Edmondson had this to say of his long time friend and creative collaborator:

Ade Edmondson on Rik Mayall RIP

“There were times when Rik and I were writing together when we almost died laughing. They were some of the most carefree stupid days I ever had, and I feel privileged to have shared them with him. And now he’s died for real. Without me. Selfish bastard.”

Nigel Planer, hippie Neil in The Young Ones, described him as:

“…inspirational, bonkers, and a great life force”.

The Guardian described Mayall’s characters as “full of life” and “vast mad scribbles, jammed to the margins with noise and energy”.

The level of talent portraying anarchist poet Rick and punk revolutionary Vyvyan, and their reprised characters in Bottom is clear when one realises that both men went on to conventional marriage and fatherhood. They both married in 1985 and had 3 kids each. Prior to, and overlapping, that, Mayall had been in a relationship with Lise Mayer, co-creator and writer of The Young Ones, and who is now married to Angus Deayton. He leaves behind his wife, Barbara Robbin, and three children, who if they were ever told how to behave after seeing daddy in The Young Ones and Bottom, must have been a struggle to get to behave!

Bonnie Mayall, Rik’s youngest daughter, posted on Facebook:

“We will never forget him and neither will the world, R.I.P to the man, the myth, the legend – my wonderful, generous, foul mouthed and hysterical father.”

For a man whose career went from “Dead Funny” to “Don’t Fear Death” via a near-death experience in 1998, Rik Mayall died full of life, love and laughter. He leaves behind a comedy legacy that will keep us laughing for many years to come.

[An earlier version of this article appeared here]